This February, upon entering New Haven’s Koffee on Audubon, quite a few patrons have postponed quenching their caffeine craving to get a closer look at the drawing on the other side of the milk bar. Like much of Daniel Kaminski’s work, Flesh Sensation exists on both macro and micro levels. However, this piece calls out more vigorously than the rest. Flesh Sensation does not simply request our attention, but demands it.
From afar, the viewer makes out a mass of circular shapes that appear...